Super 8mm, 16mm, and digital, shot side by side and edited in-house. A wedding film built around how your day actually felt.
A film wedding videographer shoots your wedding on real motion picture film, Super 8mm and 16mm at Motus, alongside digital cinema cameras. The film is developed in-house, then woven into a cinematic edit and delivered digitally. You get the texture of true film grain with the reliability of modern digital running beside it.
The approach comes from cinéma vérité, the tradition French documentary filmmakers proved out in the 1960s: put down the script, pick up the camera, and let real life unfold. The truest moments, the ones that actually move you, are never rehearsed. We call our version of it Cinéma Sauvage, truth cinema in wild places.
That means no staged run-throughs and no performance for the camera. Your vows, your first look, the roar of the engine in the getaway car, all captured as they happen. Adventure love stories shot in a cinéma vérité style, whether your day is a mountain elopement or a full wedding with everyone you love in the room.
Behind the cameras are Brandon and Aby, a husband and wife team based at 8,888 feet in Bailey, Colorado. Not a production company, not a crew from a vendor list. Two people who built the studio around the belief that the way your day is documented changes how you will remember it.
Jade & AJ · Super 8mm film still
Every Motus videography package pairs a cinematic digital edit with real Super 8mm film video, edited in-house and delivered digitally. Coverage runs from a half day to multiple days, and your film is scored and cut around how the day actually unfolded, not a template.
A digital sneak peek lands within 48 hours so you have something to share right away, and the full film arrives in the standard six to eight week window. Book a Full Day or Multi-Day and there is also a day-of film teaser, a short cut edited and in your hands before we leave.
Half-Day films run three minutes or more and are built for elopements where every minute counts. Full-Day films run five minutes or more, from vows to the last dance. Multi-Day coverage delivers a film of eight minutes or more across both days, with the full ceremony edited separately. The complete breakdown lives on the investment page, and finished films are on our work.
At every wedding we run three to four independent audio sources at minimum, and we never rely on a single camera. Backup film cameras and digital cameras record alongside each other all day, because older film cameras can fail in ways you cannot always see in real time.
That standard is not overcaution. It is experience. At our own wedding, the videographer we hired lost the audio on our vows. Not degraded. Gone. The footage came back unusable, and the things we said to each other that day, in front of everyone we loved, exist only in our memories now.
We can't get them back. Nobody can.
So when you ask why we take reliability so seriously, that is the answer. It is knowing exactly what it feels like to lose something you can never reshoot. Your day is not a rehearsal, and we treat it accordingly.
How that plays out on your wedding day:
Three to four independent audio sources minimum at every wedding. For elopements, being physically closer to you lets us work with fewer sources while keeping full monitoring and control, and we never drop below two.
On the film side, backup film cameras plus digital cameras running alongside them, every time. Film is a beautiful medium and an older one. We plan for that.
Super 8mm gives your film the warm, grainy, nostalgic texture of home movies. 16mm is the format behind documentary masterpieces and independent cinema, with a frame over three times the size of Super 8mm. Many couples blend both with digital coverage across the day.
Shot on real film cartridges and woven through your edit. Film grain on your vows, the light the way it actually looked. Not a filter. The real thing.
Explore Super 8mm →We are one of the first wedding studios in the country shooting 16mm. Your day comes back warm, grainy, and alive, the kind of footage you will still want to sit with in thirty years.
Explore 16mm →The photography side of the studio shoots 35mm stills on Kodak Portra, developed in-house, alongside full digital coverage.
Explore 35mm →Stills pulled straight from wedding films and coverage. Real couples, real places, mostly film.
The videos turned out AMAZING
I went searching for a videographer less than a month before our wedding. After weeding through many portfolios, I stopped when I came across Motus Weddings. Brandon was extremely accommodating and went above and beyond on the day. After many hours developing and editing the film, the videos turned out AMAZING. I can tell how passionate he is about his job and you can truly see it in his work. I could not recommend Brandon enough.
Wedding videography with Motus is an investment from $5,900, covering your coverage, the cinematic edit, and in-house editing. The only additional cost is the physical film stock we shoot on, which we quote for your specific day, because how much film we run depends on how long we shoot.
Investment from $5,900 →Most couples pair video with wedding photography so one team covers the whole day, photo and video working together from the first frame. Bundle details are shared on your call.
Wedding videography with Motus is an investment from $5,900. Every package includes a cinematic digital edit, Super 8mm film video, and in-house editing. The only additional cost is the physical film stock we shoot on, which is quoted for your specific day based on how long we film.
A film wedding videographer records your wedding on real motion picture film rather than digital alone. Motus shoots Super 8mm and 16mm film alongside digital cinema cameras, then develops and edits everything in-house. The result is a wedding film with true film grain, color, and texture, not a filter.
At every wedding, Motus runs three to four independent audio sources at minimum, with backup film cameras and digital cameras recording alongside each other. Film is an older medium and older cameras can fail in ways you cannot always see in real time, so redundancy is planned into every part of the day.
Your full wedding film is delivered digitally within the standard six to eight week window, and a digital sneak peek arrives within 48 hours so you have something to share right away. Rush delivery is available if you want the full edit sooner.
Motus shoots Super 8mm and 16mm motion picture film for video, 35mm stills for photography, and modern digital for both. 16mm carries a frame over three times the size of Super 8mm, and Motus is one of the first wedding studios in the country shooting it.
Yes. Motus is based at 8,888 feet in Bailey, Colorado and serves couples worldwide. Recent weddings and elopements span the Colorado high country, Kansas City, and New Zealand. Multi-day packages include no US domestic travel fees. If your day is happening somewhere that matters to you, name the place.
Planning a Colorado celebration? Start with the Colorado wedding guide or the Colorado elopement guide.
Let's Talk
Drop us the basics and we'll reach out within 24 hours to set up a call. No pitch. Just a conversation about your day.