Cinéma vérité was a radical idea: put down the script, pick up the camera, and let real life unfold. French documentary filmmakers of the 1960s proved that the truest moments, the ones that actually move you, are never rehearsed.
“No poses. No performances. Just you, the wilderness, and the truth of your story. Captured on film, preserved forever.”
We took that tradition and brought it into the wild. The mountains, the high desert, the open sky. Your day, your story: unscripted, unposed, and entirely real. This is Cinéma Sauvage.
When the night fades on your wedding day and it is finally just the two of you again, what stays is the feeling. No AI can recreate it. No flashy, trendy edit will make it feel like you in twenty years. The only people who can hand that back to you are the ones who were actually there.
We’re Brandon and Aby. We built Motus as a husband and wife who believe the way your day is documented changes how you’ll remember it. For years it was just the two of us, and we turned away more couples than we could take. So we built a team of Motus leads who shoot the way we shoot, and we match each couple with the lead who fits them. Same Motus. More weddings. And if you want the two of us on your day, you can still have that.
Motus leads are the ones who hold your flowers when your hands are shaking, who crack a joke right before you walk in, who cry a little too. Not observers. Participants. It’s the first thing we look for when we bring someone onto the team.
The glance across the room. The held breath before the doors opened. The way your dad looked at you when he thought no one was watching. You’ll be too present to catch all of it. That’s what your lead is there for.
Long before your wedding day and long after the last frame is delivered, we’re genuinely pulling for you two. Your lead, and the two of us behind them. That’s not something you can put on a package list.
We originally got into this wanting to shoot commercial work. Weddings were how we were going to pay the bills while we built toward that. We had no idea what weddings would do to us.
A few months after a wedding in Breckenridge, we got a call from the bride. It was one of those families that didn’t need a reason to get together. Every year or two, the whole extended family would pile in and push the furniture back. They’d spend the night doing line dances and partner dances, spinning kids around until everyone was laughing too hard to keep going. That energy was all over her wedding. Her younger brother was right in the middle of it.
“When she called, he was gone.”
She hadn’t purchased the raw footage. She just needed to see him again, the way he was that night. Loose and laughing. With everyone he loved around him.
We sent her a highlight reel of her and her brother. Then we gave her every frame of raw footage we had. All of it.
That was the moment everything shifted. You are not photographing a wedding. You are photographing people who might not all be there next year, in a light they will never be in again. Celebratory. Together. Whole. That is exactly why your guests need to actually enjoy the day. Why the dancing needs to happen. Why none of it can be staged or rushed. And why every single frame has to be captured reliably.
The two of us. Or the Motus team we trained, matched to you.
Brandon & Aby: adventurers, partners, storytellers. Married fellow track‑team‑mates, living at precisely 8,888 ft above the sea in Colorado, with two dogs, a cat who thinks she's a dog, and a one‑year‑old who fits right in with the chaos. We founded Motus, we pick and train every lead, and we still run every part of it. Book the two of us and you get the full film-led Motus experience, on a handful of dates a year.
The Motus team: if our dates are gone, or the two of us are more than you planned to spend, this is how you still get a Motus wedding. Your lead is a photographer or filmmaker we vetted, trained the Motus way, and chose for you. Once you book, we introduce you on a call. If it isn't a fit, tell us and we'll find you another.
Your lead is with you for most of the day, not behind a camera shouting poses, but beside you while it actually happens. The quiet ones, the loud ones, the in-between. Years from now, these are the frames that will pull you right back into the feeling of it.
Anyone can put a stranger on a roster and call it a team. We didn't do that. Every Motus lead is either someone we already knew was excellent, or someone we took the time to make excellent. Usually both.
FIRST
Before we talk to anyone, we go through their weddings frame by frame. Not the highlight reel. The full gallery, the hard light, the dark reception. If the work isn't there, the conversation ends there.
THEN
How we move through a day without being in it. How we run audio and backups so nothing can be lost. How we talk to a couple who's nervous, how we shoot a first look, how we edit. They shoot alongside us before they ever lead for you. Nobody skips that.
ALWAYS
A lot of associate teams are built around paying the shooter as little as they can. We built ours the other way around. Our leads are paid like the professionals they are. That's why the good ones stay, and why your wedding gets their whole attention.
AND
One of us is never far from a Motus wedding. Some days that's a text check-in with your lead. Some days it's Brandon or Aby there for part of it. And if your lead can't make it, more often than not it's one of us who steps in.
That's the difference. Not a roster. A team we built by hand, and would trust with our own wedding.
That same year, we got married.
Our videographer lost the audio on our vows. Not degraded. Gone. We hired someone we thought was qualified for the photography. We also hired a high school student to handle the video coverage. The footage came back unusable. The things we said to each other that day, in front of everyone we loved, exist only in our memories now.
“We can’t get them back. Nobody can.”
So when people ask why we take reliability so seriously, that is the answer. It is not overcaution. It is experience. It is knowing exactly what it feels like to lose something you can never reshoot.
How that drives everything we do:
At every wedding, we run three to four independent audio sources minimum. For elopements, the intimate nature of the setting means we are physically closer to the couple by default, which allows us to work with fewer sources while still maintaining full monitoring and control. We never drop below two.
On the film side, we always have backup film cameras, plus digital cameras running alongside them. Film is a beautiful medium and an older one, and older cameras can fail in ways you cannot always see in real time. We plan for that. Your day is not a rehearsal, and we treat it accordingly.
Every Motus lead runs the same setup. Redundant audio, backup bodies, digital alongside film, cards backed up in two places before anyone sleeps. It is not a preference. It is the standard, and it is how we decide who gets to shoot under the Motus name.
From the first tear rolling down your cheek to the roar of the engine in that classic getaway car, we journey beside you wherever your hearts take you, crafting an authentic chronicle of your love story as it unfolds.
We're so unobtrusive and quiet that we occasionally startle the coordinator. After a brief yelp, we frequently hear: "Oh wow, I didn't even know you were there , you're like a ninja!" Your real moments, undisturbed.
Nobody gets a random name off a roster. We read your inquiry, look at your day, and pick the Motus lead who fits the two of you. Once you book, you meet them on a call, and if it isn't a fit, we find you another. That is how every Motus wedding starts. See how booking works →
“An adventure is an exciting, unusual, or bold experience. It typically involves a degree of risk, unknown outcomes, or stepping outside of one’s comfort zone. While often associated with physical travel or thrilling activities, it can also refer to any daring endeavor or personal challenge.”
We do not get to define your adventure. You do. Some couples hike to a ridgeline with a dozen people and a permit. Some fly in by helicopter. Some do the whole thing off-road in a vehicle that has seen better days and they would not have it any other way. But some of the most memorable days we have ever shot had nothing to do with elevation.
Adventure is whatever is uniquely yours. Whatever makes you two who you are. Here are a few versions of what that can look like.
National parks. Alpine ridgelines. Canyons at golden hour. Helicopter drop-offs. Places that required more than a Google Maps search. If the landscape is the point, we are in.
UTVs through red rock. 4x4s into places roads never reached. A cattle gate, a dirt path, and a ceremony on the other side. We have shot it and we will do it again.
Hot air balloon. Sailboat. Ski run. Motorcycle ride to the ceremony. Skydiving before the vows. If your day involves something most people only talk about doing, it counts.
The city you two always talked about visiting. The brewery where you had your first date. A rooftop, a record store, a museum after hours. Anywhere that is just undeniably you.
Just the two of you, or a circle of people small enough to fit in one car. No program, no timeline, no pressure. You pick a place that matters and you go there.
We genuinely cannot predict what this one looks like. It is the day someone describes to us and we think: we have never shot that before. Those tend to be our favorites.
If you have ever said “we want it to feel like us” and felt like no one got what you meant, that is the definition. That is adventure. That is exactly why we are here.
Shot on Film
Wow just WOW. We had such an amazing experience!
Brandon was dedicated to capturing every beautiful moment of our special day this past June. He also exceeded our expectations by being cognizant of lighting, angles, and ALL things photography/videography related. Brandon knows his stuff, you can trust him and his company to go above and beyond. His company also doesn't feel like a big platform company that will skimp over the intricate details that an artist thinks about when creating beautiful photos and videography. We are grateful for his ability to build a relationship with us as a couple as well. We are forever thankful that we chose them for our day. Don't hesitate to check out their amazing work on social media platforms!
Real Stories, Real Moments
16mm cinema film, Super 8mm, 35mm, and digital, delivered promptly, with every emotion preserved.
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Candid film-still vignettes of couples dancing in fields, exchanging vows on mountaintops, frozen in grainy, golden-hour light.

























His work grabbed my attention instantly — especially the Super 8mm film
I went searching for a videographer less than a month before our wedding. After weeding through many portfolios, I stopped when I came across Motus Weddings. Brandon was extremely accommodating and went above and beyond on the day. After many hours developing and editing the film, the videos turned out AMAZING. I can tell how passionate he is about his job and you can truly see it in his work. I could not recommend Brandon enough.
Two ways to have a Motus wedding
Full packages · Shared on your call
By the hour, with a minimum. A rough number on the first call.
Four things we hold ourselves to
Three steps, and a lead you'll know by name.
Your date, your place, your vision. Photo, video, or both.
We read your inquiry, look at your day, and pick the Motus lead who fits the two of you. Or you tell us you want the two of us.
Lock your date, and we introduce your lead on a call with one of us. From there they have your questionnaires, your timeline, and you.
Let's Connect
Collections start at $2,900 with the Motus team and $5,800 with Brandon or Aby.
Tell us a little about your day and we'll reach out within 24 hours to schedule a no-pressure call.
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